‘Tower Hill’ by Giles Farnaby (1563-1640) is a piece for virginals from the Fitzwilliam Virginals Book. This piece, for treble, tenor and bass recorders, has the theme and then three variations. Here’s how it sounds:
Ego flos campi for recorders
The best-known motet by Jacob Clemens non Papa (c.1510-1556). Ego flos campi (I am the flower of the field) exists in several versions for different numbers of voices. This is the 7-voice version.
Tango for tenor recorder and guitar
A delightful and challenging piece! Here’s how it sounds:
Juramento
A catchy Cuban song by Miguel Matamoros. For the split in the tenor part, if there is only one tenor play the top line.
Browning for recorders and guitar
The Browning is a theme and variations form used by many English renaissance composers. It is based on a popular song of the time: The leaves be green, which celebrated the ripening of nuts in the autumn. In this piece the 8 bar theme is first heard in the treble recorder part. Score and parts.
Nocturne
A gorgeous little piece by Nicolai Tcherepnin (1873-1945) originally for four french horns.
‘Nimrod’ (Elgar)
This arrangement of ‘Nimrod’ from the Enigma Variations of Edward Elgar (1857-1934) is for five recorders (or recorder choir): treble, two tenors, bass and contrabass.
Es ist ein Ros
The beautiful harmonisation by Michael Praetorius (1571-1621) followed by a canon, based on the same melody, by Melchior Vulpius (1570-1615). Arranged for treble, two tenors and great bass.
Noel Nouvelet
An old French carol for three tenors and bass (or Tr/T/T/Bass). The bass also gets a go at the melody.
Shepherds Arise
A traditional Sussex carol, this arrangement based on the singing of the Copper family.